Davenport Blues Essay - 1104 Words

Gabrielle Bacarella Professor James History of Jazz Davenport Blues Meter: 4/4 Introduction (4 bars) 0:00 Band (2 bars) → Cornet Solo (1 bar) → Clarinet Solo (1 bar) **Solo break at Bar 3** Verse (16 bars) 0:06 Band (8 bars) 0:18 Band (8 bars) Chorus 1 (32 bars) 0:31 A Cornet Solo (8 bars) 0:43 B Cornet Solo (8 bars) **Solo break at Bar 7** 0:55 A Cornet Solo (8 bars) 1:08 C Cornet Solo (8 bars) **Solo breaks at Bars 1 and 3 (stop time)** Verse (16 bars) 1:21 Band (8 bars) 1:34 Band (8 bars) Chorus 2 (32 bars) 1:47 A Cornet Solo (2 bars) → Clarinet Solo (2 bars) → Cornet Solo (2 bars) → Clarinet Solo (2 bars) 2:00 B Band (6 bars) → Trombone Solo (2 bars) **Solo†¦show more content†¦The rhythm section consists of the piano by Paul Mertz, drums by Tommy Gargano, and banjo by Howdy Quicksell. Throughout the piece, the cornet, which is accompanied by the clarinet, plays the main tune as the trombone and piano keep the tempo like a bass. The piano plays the chords as the trombone plays consistent quarter notes which helps the whole ensemble keep time. The â€Å"Davenport Blues† introduction begins sounding somewhat homophonic. It sounded homophonic because the cornet and clarinet begin by playing the same melody but at different pitches. The melody in the intro sounds a little broken up and unorganized. But then we begin to hear the verses becoming somewhat reminiscent of the New Orleans style, which is known for its collective improvisation and polyphony. Polyphony is clearly heard in the three different melodies played simultaneously by the cornet, clarinet, and trombone in the â€Å"Davenport Blues† verses. The instruments in the â€Å"Davenport Blues† generally have the same interactions that a New Orleans ensemble would have. The cornet, for instance, plays the melody while the clarinet plays a countermelody drawn from the underlying chord progression. The trombone fills out the ensemble with another countermelody, but plays fewer notes than the clarinet. Finally, the rhythm section provides a steady pulse and lays down the harmonies for each measure. The instrumentation is also typical of a NewShow MoreRelated Ragtime Essay examples850 Words   |  4 PagesMorton recognized the coherence of ragtime but gave it more freedom, especially in the bass line. This resulted in what is known as ``stomp piano. Charles â€Å"Cow-Cow† Davenport, who pioneered the Boogie-Woogie style, was trained in ragtime but recorded many blues pieces. James P. Johnson was instrumental in moving ragtime toward jazz and blues, creating Stride Piano. Other developments led to the ``trumpet-pia no style of Earl Hines and Teddy Weatherford and to the swing style of Duke Ellington. SomeRead MoreAfrican American Influence On Music2019 Words   |  9 Pagesfight to legitimize the music of black Americans (Preston 149). 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